Sound design for Tattoo Girl, directed by Nancee Moes at Stony Brook University in November 2015.
Sound design and live performance (hammered dulcimer, keyboard, percussion, live electronics) for While They're Away, a new work by Under Construction Theatre commissioned by the Museum of Oxford for the centennial of World War I and premiered in March 2015.
Sound design for Mark of Cain, a dance piece by Oxford-based company Justice in Motion and premiered at the 2015 Moving with the Times Festival.
Clarion (2016), 6', full orchestra (2, 2, 2d1bass, 2 - 2, 3, 2, 1, harp, vibraphone, strings). Read by the Stony Brook Symphony Orchestra, conducted by Susan Deaver, in fall 2016.
Transcontinental (2011), 6'; fl, cl, ob, bsn, hn, tpt, tbn, tba, single strings. Premiered by members of the New York Youth Symphony at Symphony Space in May 2011 and awarded the Derek Bermel Prize for achievement in composition.
Dulcimer improvisation (2016), 1.5'; bowed and plucked hammered dulcimer.
Scaffolding (2014), 5', string quartet.
Amassed (2015), 7.5', brass quintet with live electronics.
Anchorage (2016), 6', eight voices.